Many of the icons had lots of interior geometry left over from
subdivision. In these cases we should remove the interior geometry
and leave the object with the modifier for the future.
This icon mimics the details of the cloth brush icon while using the
frame style extablished for the other "filter" tools.
Differential Revision: https://developer.blender.org/D8467
This icon mimics the details of the cloth brush icon while using the
frame style extablished for the other "filter" tools.
Differential Revision: https://developer.blender.org/D8467
In this mode the preview image is always using the most of the preview
area space: it is scaled to fit, preserving aspect ratio. This makes it
possible to always have maximum of the preview region even after resize
of other areas.
This mode is enabled by default, is available in the View -> Zoom to Fit
menu. It is enabled when View All (Home key) is used, and is disabled
when manual navigation ([panning, zooming) is performed.
There is no versioning code, which means existing files will open as-is,
but new projects will have this option enabled.
Ref T78987
Maniphest Tasks: T78987
Differential Revision: https://developer.blender.org/D8549
Allows to hook per-space code which is to be run on view navigation.
This is required to have zoom-to-fit implemented in the sequencer.
There might be more cases where the clalback is to be called from,
but it could be easier to address those on the case-by-case basis
when its needed.
This changes the drawing paradigm a bit. The VAO configuration is done
JIT-style and depends on context active shader.
This is to allow more flexibility for implementations to do optimization
at lower level.
The vao cache is now its own class to isolate the concept. It is this
class that is reference by the GLContext for ownership of the containing
VAO ids.
We instead use a handle reference counter on the GPUVertBufs used by
the instancing batches. This make sure that if an update happens on the
GPUVertBuf used to contruct the batch, they will never have the same
memory address than the previously allocated ones (since they are still
pending deletion thanks to the refcounter).
This avoid the linear search to update the GPUBatch in the case a
batch is deleted (which was even a bad option since they could be only
cleared)
A handle refcount is here to avoid freeing of the GPUVertBuf datablock
if it is still referenced somewhere else.
This does not prevent deleting the actual data. This is to avoid too
much zombie data usage.
This is in order to avoid most hacks inside `draw_instance_data.c`.
It was impossible for drivers to use shape key properties, modifiers
generate a new mesh. After mesh evaluation the shape keys are no longer
necessary, and because of this the `key` pointer was not copied. As
drivers work on evaluated data, however, they do need this `key`
pointer.
This commit makes the `key` pointer available in evaluated meshes, but
this is somewhat dangerous. There was an explicit reason why the key on
result was kept at null pointer: to have the evaluated mesh in a
consistent state. Assigning this pointer makes it potentially
inconsistent, as the evaluated mesh and the original shape key may have
different topologies.
Reviewed By: sergey
Differential Revision: https://developer.blender.org/D7785
It was always possible to set it to zero by typing in the value.
This new soft limit is more consistent with the fluid cache
and the Scene.frame_start property.
This was a regression in deaff945d0 which skips copying a mesh.
Dupli-verts/faces were not updated to account for this.
This supports iterating over edit-mesh vertices & faces,
since falling back to a full copy (as we do in some places)
will be slow while transforming geometry.
This commit looks as if it would change behavior with orcos,
since any edit-mesh deformation causes them to be assigned.
However in practice there is no functional change, details in comments.
Replace the evaluated mesh with VertexDupliData.mvert since only
vertices are used. This makes dupli-vert similar to how dupli-face
was already working.
